Harry Belafonte - Zombie Jamboree [1962]
![Harry Belafonte - Zombie Jamboree [1962] Harry Belafonte - Zombie Jamboree [1962]](https://i.ytimg.com/vi/YUsyKEISnig/maxresdefault.jpg)
Details
Title | Harry Belafonte - Zombie Jamboree [1962] |
Author | Classic Mood Experience |
Duration | 3:40 |
File Format | MP3 / MP4 |
Original URL | https://youtube.com/watch?v=YUsyKEISnig |
Description
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Harry Belafonte - Zombie Jamboree [1962]
"Jumbie Jamberee" is a calypso song credited to Conrad Eugene Mauge, Jr. In 1953 Lord Intruder released the song as the B-side to "Disaster With Police". The song is also known as "Zombie Jamboree" and "Back to Back". In the introduction to the Kingston Trio's version "Lord Invader and his Twelve Penetrators" are incorrectly credited with the song instead of Lord Intruder.
The oldest versions of the song refer to a jumbee jamboree. Jumbies are evil spirits who were thought to cause wild dancing in their victims. The song's references to Carnival also suggest a connection to the Moko jumbie, a protecting spirit figure represented during Carnival on Trinidad by stilt walkers and dancers. The switch to "Zombie Jamboree" occurred very early with King Flash's version with those lyrics coming out in 1956, only three years after "Jumbie Jamboree" first appeared.
Like many "folk" songs, there is unclear copyright in the song and many lines are variable between versions. While many versions set the song in a New York, Long Island or Woodlawn Cemetery, some place it in Kingston or an island cemetery. The third verse is the most variable with The Charmer's version discussing the local food at a previous jumbie carnival parade while Rockapella's version discusses zombies and King Kong invading various New York City landmarks. The third verse of King Flash's 1956 version further discusses the female zombie's romantic pursuit of the singer.
John Sterling, the longtime Yankees radio announcer, routinely quotes the song after consecutive hit home runs, saying "back to back, and belly to belly!"
Harry Belafonte recorded five versions of the song (in 1962, 1964, 1966, 1972 and 1974). It first appeared on Belafonte's The Many Moods of Belafonte and later became one of his signature songs.
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